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Writing the Other

Writing the Other

Learn to write characters very different from you sensitively and convincingly

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Should I apply for a scholarship

Real Talk: Should I Apply for a Scholarship?

October 3, 2016December 9, 2018Writing the Other
Writing the Other instructor K. Tempest Bradford has some advice for anyone hesitating to apply for a Sentient Squid Scholarship. [...]
Weekend Intensive Writing the Other

Writing Inclusive Fiction: Weekend Intensive | November 2016

October 1, 2016October 4, 2021Writing the Other
This 3 day online course delves deep into learning this sometimes tricky skill. Instructors combine lectures, discussions, and writing exercises in a safe, supportive atmosphere. [...]
Roundtable - How To Stay In Your Lane

Roundtable: How To Stay In Your Lane

August 31, 2016April 15, 2019Writing the Other
Should White People Write About People of Color? There is no one answer to this question, there is no one conversation that can provide definitive guidelines. However, it is a discussion worth having in the context of the classes we teach. [...]
Appropriate Cultural Appropriation by Nisi Shawl

Appropriate Cultural Appropriation by Nisi Shawl

August 20, 2016August 28, 2018Writing the Other
Rather than looking at a binary choice between (mis)appropriating a culture and avoiding its mention, we can consider a spectrum of roles it’s possible for transcultural writers and readers to play. [...]
Writing Native American Characters: How Not To Do A Rowling

On Demand: Writing Native American Characters: How Not To Do A Rowling | Master Class

July 24, 2016February 21, 2024Writing the Other
In this Master Class, Native scholar and activist Debbie Reese talks about the missteps Rowling and many other authors have made, why they are a problem, and offers writers strategies for avoiding them and doing better. [...]
More than Eunuchs and Extraterrestrials: Writing Positive Portrayals of Asexual Characters

On Demand: More than Eunuchs and Extraterrestrials: Writing Positive Portrayals of Asexual Characters | Master Class

July 24, 2016February 21, 2024Writing the Other
In this master class, asexual author Lauren Jankowski walks students through the general terminology related to the asexual spectrum, discusses the importance of dismantling the love hierarchy, and provides tips for avoiding common stereotypes of asexuals. [...]
Writing Plausible Atheist and Religious Characters master class

Beyond Belief: Writing Plausible Atheist and Religious Characters | Master Class

July 24, 2016October 13, 2016Writing the Other
Registration for this class is over! It is not available as an On Demand webinar right now. However, this class may return in [...]
Writing the Other: Comics and Graphic Novels Master Class

Writing the Other: Comics and Graphic Novels | Master Class

July 24, 2016October 13, 2016Writing the Other
Registration for this class is over! It is not available as an On Demand webinar right now. However, this class may return in [...]

Writing the Other Weekend Intensive | August 2016

July 10, 2016October 4, 2021Writing the Other
When: August 12 – 14, 2016 (detailed schedule below) Where: ONLINE via Google Hangout Price: $275 + service fee Register Now Writers know [...]

Nisi Shawl and Daniel José Older on The Creative Writer’s Toolbelt Podcast

April 1, 2016September 9, 2021Writing the Other
Nisi talks about issues around writing representative fiction with Andrew Chamberlain of The Creative Writer’s Toolbelt alongside author Daniel José Older. How should we [...]

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Testimonials

A lively, entertaining, and above all stimulating experience, proving yet again that even the examined life benefits by being re-examined from time to time, all the more so in the case of writers.

― Suzy McKee Charnas, author of Walk to the End of the World, on the Classic Seminar

This class mentally stimulates thoughts about what it is to live in an alternative, minority worldview. It also provides opportunities to discuss issues surrounding character development of unique non-mainstream characters which could engender qualities of heightened realism and color to your story, thus triggering greater understanding of minority issues in the broader culture.

― Sonja Bolon, Creative Therapist, on the Classic Seminar

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